Coverstory der aktuellen BluesNews-Ausgabe #56

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Drei Topacts, eine hochkarätige Begleitband, ein Blick in die Zukunft des Blues.

Das Konzept hat sich bewährt. Schon 2005 schickte Thomas Ruf, Kopf der
gleichnamigen, zukunftsweisenden Plattenfirma, das erste Musikertrio aus
seinem Kader ein ganzes Jahr lang auf Tournee. Durch Mitteleuropa, Skandinavien und die britischen Inseln - natürlich mit Unterbrechungen - tingelten damals unter dem Motto "Ladies Night" Candye Kane, Sue Foley und Ana Popovic. Von reichlich Spannungen im beengten Tourbus war die Rede, am Caravan-Konzept musste hier und da auch noch ein bisschen gefeilt werden. Aber dauerhafte Freundschaften sind dabei ebenfalls entstanden. Und vom Publikum erhielt diese etwas andere Form der Livedarbietung sofort eine positive Resonanz.

Foley und Kane hatten sich 2005 natürlich schon längst etabliert. Die gebürtige Belgraderin Popovic, mittlerweile fast noch populärer in den USA als in Europa, war auch kein Geheimtipp mehr. Seitdem hat sich der jährliche BluesCaravan jedoch zu einer Art Debütantinnenball für junge, weniger bekannte Nachwuchsblueser entwickelt. Die Kanadierin Roxanne Potvin nutzte die 2007er-Tour als Sprungbrett. Im Jahr davor kam die Neuentdeckung aus Finnland und hieß Erja Lyytinen. Der Blues Caravan 2008 machte uns mit der feurigen Dani Wilde aus England sowie ihrer hervorragenden amerikanischen Leadgitarristin-Kollegin Laura Chavez bekannt. Lediglich Aynsley Lister und Ian Parker durften bislang die aufstrebende Generation der Bluesmänner auf der Tour vertreten.
Aber auch für diese beiden Engländer führte die Erfahrung zu einer größeren Bekanntheit in ganz Europa und sogar den USA.

Gemeinsame Plattenprojekte der beteiligten Künstler und Künstlerinnen
waren bislang ebenfalls ein wichtiger Aspekt des Caravan-Konzepts von
Ruf. Im Vorfeld der "New Generation"-Tour mit Lyytinen, Parker und Lister reiste das europäische Trio ins Mississippi-Delta und spielte dort mit "Pilgrimage" ein stimmiges Album ein, das als Vorlage für die gemeinsamen Auftritte diente. Im Jahr danach fanden die "Blues Guitar Women" - Sue Foley, Deborah Coleman und Roxanne Potvin - bei den Sessions zu "Time Bomb" schnell zueinander. Die 2008er Tour mit Kane, Deborah Coleman und Dani Wilde wurde derweil auf einer Livescheibe verewigt.

Für die kommende Tour, die die vielsagende Überschrift "Fresh Blues" trägt, ist noch keine gemeinsame Aufnahme geplant. Der wahrscheinliche Grund: Jede/r der drei Künstler/innen hat eine aktuelle Veröffentlichung im Ruf-Katalog stehen. Mit ihrem Durchschnittsalter passen die Jungtalente jedoch zweifellos ins Konzept. Das liegt nämlich bei höchstens Mitte zwanzig, wahrscheinlich sogar ein bisschen drunter. (Bei Frauen soll man ja nicht so genau fragen.) Somit wird der Blues Caravan im fünften Jahr seines Bestehens sogar noch etwas jünger, ja noch etwas frischer als je zuvor.

ERJA LYYTINEN:
"Manchmal habe ich Lust, einfach
abzurocken. Aber ein paar
herzzerreißende Balladen sollen
im Set auch nicht fehlen, damit die
harten Männer im Publikum ihre
Emotionen rauslassen können."

JOANNE SHAW TAYLOR:
"Der entscheidende
Moment kam, als
mir mein Vater das
Stevie Ray Vaughan-Album
‚In The Beginning - Live In
Austin, Texas' vorgespielt
hat. Da habe ich mein
Lebensziel gefunden."

OLI BROWN:
"Das Fantastische am Bluespublikum ist: Die Musik
steht für sie immer an erster Stelle. Der Blues ist halt
keine Modeerscheinung. Er ist langlebig und hat überall
seine loyalen Fans."

Das vollständige Interview gibt es in der aktuellen Ausgabe 56 von bluesnews (im Handel oder unter www.blues-news.de erhältlich).

Guitarist and bandleader Jeff Healey dies in Toronto Hospital

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Following a lengthy struggle with cancer,
Healey passes away on the eve of the
release of a new blues rock album

Jeff Healey, arguably one of the most distinctive guitar players of our time, died today (Sunday March 2) in St. Joseph's Hospital, Toronto. He was 41, and leaves his wife, Cristie, daughter Rachel (13) and son Derek (three), as well as his father and step-mother, Bud and Rose Healey, and sisters Laura and Linda.
Funeral and memorial arrangements are pending.
Robbed of his sight as a baby due to a rare form of cancer, retino blastoma, and he started to play guitar when he was three, holding the instrument unconventionally across his lap. He formed his first band at 17, but soon formed a trio which was named the Jeff Healey Band.
After his appearance in the movie Road House, he was signed to Arista records, and in 1988 released the Grammy-nominated album See the Light, which included a major hit single, Angel Eyes. He earned a Juno Award in 1990 as Entertainer of the Year.
Two more albums emerged on Arista, with lessening success as the '90s passed. Various "best-of" and live packages were released, and he recorded two more rock albums, before turning to his real love, classic American jazz from the '20s, '30s and '40s.
By then, however, Healey was an internationally-known star who had played with dozens of musicians, including B.B. King and Stevie Ray Vaughan, and recorded with George Harrison. Mark Knopfler and the late blues legend, Jimmy Rogers.
A family man with a three-year-old son and a 13-year-old daughter he preferred to stay close to home. "I've traveled widely before — been there and done that," he told friends, determined to avoid the lengthy, exhausting tours that marked his life in his twenties and early thirties.
A long-running CBC Radio series saw him in the role of disc jockey — My Kinda Jazz was a staple for a while, but in recent years he had hosted a programme with a similar name on Jazz-FM in Toronto. A highlight of his broadcasts was always the use of rare — and rarely heard — music from his 30,000-plus collection of 78-rpm records.
As his rock career wound down as the millennium came, he recorded a series of three album of early jazz, playing trumpet as well as acoustic guitar in a band he called Jeff Healey's Jazz Wizards. The most recent was It's Tight Like That, recorded live at Hugh's Room in Toronto in 2005, with British jazz legend Chris Barber as guest star.
At the time of his death he was about to see the release of his first rock/blues album in eight years, Mess of Blues, which is being released in Europe on March 20, and in Canada and the U.S. on April 22. The album was the result of a joint agreement between the German label, Ruf Records, and Stony Plain, the independent Edmonton-based label that has released his three jazz CDs.
Mess of Blues was recorded in studios in Toronto, with two cuts recorded at the Jeff Healey's Roadhouse in Toronto and two at a concert in London England. The backup group on the upcoming CD — the Healey's House Band — played with him regularly at the downtown Roadhouse, and at a previous club bearing his name in the Queen-Bathurst area.
Early last year, Healey underwent surgery to remove cancerous tissue from his legs, and later from both lungs; aggressive radiation treatments and chemotherapy, however, failed to halt the spread of the disease.
Despite his battle with cancer, he undertook frequent tours across Canada with both his blues-based band and his jazz group; he was set for a major tour in Germany and the U.K. and was to be a guest on the BBC's famed Jools Holland Show in April.
Remembered by his musicians — and his audiences — for his wry sense of humour as well as his musical playfulness, Healey was a unique musician who bridged different genres with ease and assurance.

Blues Wax Album of the Year - Walter Trout "Full Circle"

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BluesWax caught up with Walter Trout at home after a recent tour of Asia. Winning the Album of the Year award for Full Circle elicited this response from Trout, "To all the fans who voted for me: I am very moved by this honor you have given to my album Full Circle. This project was a labor of love for me and having you choose it as Album of the Year makes it a very special milestone in my long career. Thanks again and I'll see you on the road!"

The staff of BluesWax congratulates Tommy Castro and Walter Trout for winning the BluesWax Artist and Album of the Year Awards! And we thank the thousands of you who participated in this year's nominating and voting process. You have spoken!

CONGRATULATIONS!!!

February, 3rd: Ruf Records is receipient of KBA Award of Blues Foundation!

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Record Label
Ruf Records, Lindewarra, Germany
In 1994, Thomas Ruf started a record label for his rising Blues hero, Luther Allison. In the first 12 years, Ruf produced 120 releases, sold 1.2 million records, and received two Grammy nominations and ten Blues Music Award nominations. Ruf Records describes itself as "Where Blues Crosses Over" because its artists cross over geographically and in their Blues stylings.
Ruf believes the more variations of Blues its offers, the more new Blues fans it develops. Ruf Records shows no signs of slowing down. In addition to its stable of artists that include Walter Trout, Sue Foley, Bernard Allison, Candye Kane, Bob Brozman, and Omar & The Howlers, 2007 will see new releases from newly-signed artists like Blues veteran Jeff Healey, Corey Stevens and newcomer Roxanne Potvin.

more info at: www.blues.org

Report about Thomas Ruf, RUF RECORDS and the KBA-Award at: www.berlinonline.de/...g/print/seite_3/625014.html
(Berliner Zeitung)

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